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	<title>Aymar Ccopacatty</title>
	<link>https://aymarart.com</link>
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	<pubDate>Tue, 02 Jan 2024 02:30:09 +0000</pubDate>
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		<title>Home_Boat</title>
				
		<link>https://aymarart.com/Home_Boat</link>

		<pubDate>Fri, 28 Jul 2023 15:53:15 +0000</pubDate>

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AYMAR&#38;nbsp;
CCOPACATTY
Intercultural Artist</description>
		
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		<title>SCULPTURE</title>
				
		<link>https://aymarart.com/SCULPTURE-1</link>

		<pubDate>Fri, 28 Jul 2023 18:13:10 +0000</pubDate>

		<dc:creator>Aymar Ccopacatty</dc:creator>

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&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/8e397b1826fe8188e8d860793ff49cdb72d1b53b8018b27236ca43b782bb39fa/Plastic-Shaman_120123_51.jpg" data-mid="199619392" border="0"  src="https://freight.cargo.site/w/1000/i/8e397b1826fe8188e8d860793ff49cdb72d1b53b8018b27236ca43b782bb39fa/Plastic-Shaman_120123_51.jpg" /&#62;
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		<title>Plastic Shaman Head</title>
				
		<link>https://aymarart.com/Plastic-Shaman-Head</link>

		<pubDate>Mon, 18 Dec 2023 01:01:35 +0000</pubDate>

		<dc:creator>Aymar Ccopacatty</dc:creator>

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PLASTIC SHAMAN
Ceremonial Performance


︎
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		<title>Plastic Shaman Info</title>
				
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		<pubDate>Mon, 18 Dec 2023 01:09:41 +0000</pubDate>

		<dc:creator>Aymar Ccopacatty</dc:creator>

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	Plastic Shaman︎2023︎Ceremonial PerformanceAs a 2023 RISD Museum resident artist, I carried out a performance ceremony titled Plastic Shaman. The performance had several goals, building off of my combined careers as contemporary artist and museum conservator, commenting on museology, and from an ancestral point of view. The work united Andean textile and bronze objects in the museum’s collection that once went together, either in ceremony or burial or both. These objects are now living separate lives in different areas of the museum’s storage facilities. Uniting these objects in metaphor, involves uniting them in ceremony, if only for the duration of the performance. The second goal was to highlight to the museum and participants, that these objects lead a life very different than they do now, they deserve reconsideration to be housed as a whole family.&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/45546ccf2cc8bf53ac81782d07b6ebbe5c797cc81306d694c43cf0273bda8471/Plastic-Shaman_120123_13.jpg" data-mid="199619519" border="0"  src="https://freight.cargo.site/w/1000/i/45546ccf2cc8bf53ac81782d07b6ebbe5c797cc81306d694c43cf0273bda8471/Plastic-Shaman_120123_13.jpg" /&#62;

The Plastic Shaman is a post-modern spiritual mediator, a trickster who the ancestors sent to carry Indigenous protocol and remind people of the abundance that was taken from the Andes to the world, all without permission. An ongoing manifesto listing the ancient donations towards a first world lifestyle, staple crops, medicinal plants and metallurgy are just some of the items listed.&#38;nbsp; This sacred clown, who in our culture is known as a Qusillu, listens to the ancestors, acknowledges that these items were appropriated without permission and agrees to a re-negotiation in acknowledgment of the Western worlds’ spiritual corruption; to allow this Indigenous technology to be appropriated in the interest of healing ancestral wounds, for no other reason would the decimation of these natural gifts be of value.
The Plastic Shaman is here engaged and entertained as asking for spiritual permission to proceed. As Western spiritual institutions necessarily lose space and cede spiritual dominion, we are the indigenous remnants of a disastrous, chaotic, and bloody 500 plus years colonization of our Americas. Today we ask the plastic shamans to request permission from our ancestors. Permission to proceed towards healing of themselves and their legacy, which will magnify the positive path chosen going forward. A true ally must understand deeply and not ask to be healed. True plastic shamans must heal themselves. 

Restorative justice is often left out of the spiritual and ceremonial spheres of human life. The feeling of owing something often leaves people at a loss of how to proceed (and frequently, aggression or poorly thought out claims of absolution are quickly and reflexively brought forward). We ask that the doors to philosophical spiritual union be left open. Only after the new age of the plastic shaman has sufficiently appropriated our ancestral plant medicines and profound healing ceremonies will healing begin to enter the higher echelons of colonial power and peace abound, according to many Indigenous prophecies. Our traditions must necessarily first be capitalized upon.

Our elders surely and rightly vilified this second conquest and colonization, harnessing the ancestral medicine power that kept us alive through very dark years, rendering our languages and ceremonies prohibited, repressed and disparaged. It took many lives and many centuries to begin this shift towards cultural appropriation and corporate profits that continue to undermine our traditions, lands, and lifeways.

But first is permission, protocol towards the ancestors, must be asked, we cede this hard work to the plastic shaman.

Below a list of South American Indigenous gifts to the world: 
Tomatoes, Potatoes, Peanuts, Avocados, Coca - Cola, Novacaine, Lidocaine (cocaine), Coca Leaf, Rubber, Ayahuasca, Maca, Quinua, Alpacas, Llamas, Vicuña, Guinea Pigs, Gold, Silver, Lithium, Mango, Papaya, Cacao, Cotton.



	



















Como artista residente del Museo
RISD 2023, llevé a cabo una ceremonia de presentación titulada Plastic Shaman. &#38;nbsp;La performance tenía varios objetivos, a
partir de mis carreras combinadas como artista contemporáneo y conservador de
museo, comentando sobre museología y desde un punto de vista ancestral. La obra
unió textiles andinos y objetos de bronce de la colección del museo que alguna
vez estuvieron juntos, ya sea en ceremonia o entierro o ambos. Estos objetos
ahora viven vidas separadas en diferentes áreas de las instalaciones de
almacenamiento del museo. Unir estos objetos en una metáfora implica unirlos en
una ceremonia, aunque sólo sea durante la duración de la actuación. El segundo
objetivo fue resaltar al museo y a los participantes, que estos objetos llevan
una vida muy diferente a la actual, merecen una reconsideración para ser
alojados como una familia completa.






&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/eab3ab27404029c256127795cfdbd9338b73fd0c3e69a9230af6152a33c5bbae/Plastic-Shaman_120123_40.jpg" data-mid="199619520" border="0" data-scale="97" src="https://freight.cargo.site/w/1000/i/eab3ab27404029c256127795cfdbd9338b73fd0c3e69a9230af6152a33c5bbae/Plastic-Shaman_120123_40.jpg" /&#62;
El Chamán Plástico está aquí ocupado y entretenido pidiendo permiso espiritual para proceder. A medida que las instituciones espirituales occidentales necesariamente pierden espacio y ceden dominio espiritual, somos los restos indígenas de una desastrosa, caótica y sangrienta colonización de nuestras Américas que duró más de 500 años. Hoy les pedimos a los chamanes del plástico que soliciten permiso a nuestros ancestros. Permiso para proceder hacia la curación de ellos mismos y de su legado, lo que magnificará el camino positivo elegido en el futuro. Un verdadero aliado debe comprender profundamente y no pedir ser curado. Los verdaderos chamanes plásticos deben curarse a sí mismos.

La justicia restaurativa a menudo queda fuera de las esferas espiritual y ceremonial de la vida humana. El sentimiento de deber algo a menudo deja a las personas sin saber cómo proceder (y con frecuencia, rápida y reflexivamente se presentan agresiones o demandas de absolución mal pensadas). Pedimos que se dejen abiertas las puertas a la unión espiritual filosófica. Sólo después de que la nueva era del chamán plástico se haya apropiado lo suficiente de nuestras plantas medicinales ancestrales y profundas ceremonias de curación, la curación comenzará a ingresar a los niveles más altos del poder colonial y la paz abundará, según muchas profecías indígenas. Primero debemos capitalizar nuestras tradiciones.

Nuestros mayores, con seguridad y con razón, vilipendiaron esta segunda conquista y colonización, aprovechando el poder de la medicina ancestral que nos mantuvo vivos durante años muy oscuros, haciendo que nuestros lenguajes y ceremonias fueran prohibidos, reprimidos y menospreciados. Se necesitaron muchas vidas y muchos siglos para iniciar este cambio hacia la apropiación cultural y las ganancias corporativas que continúan socavando nuestras tradiciones, tierras y formas de vida.

Pero primero hay que pedir permiso, protocolo hacia los ancestros, cedemos este arduo trabajo al chamán plástico.

A continuación una lista de regalos indígenas sudamericanos al mundo:
Tomates, Patatas, Maní, Aguacates, Coca - Cola, Novacaína, Lidocaína (cocaína), Hoja de Coca, Caucho, Ayahuasca, Maca, Quinua, Alpacas, Llamas, Vicuña, Cobayas, Oro, Plata, Litio, Mango, Papaya, Cacao , Algodón.


	







	&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/dbebb19579eeb638906dd3903262aa729f08150f7340d2dc29bdaf548722c91c/Plastic-Shaman_120123_64.jpg" data-mid="199951868" border="0"  src="https://freight.cargo.site/w/1000/i/dbebb19579eeb638906dd3903262aa729f08150f7340d2dc29bdaf548722c91c/Plastic-Shaman_120123_64.jpg" /&#62;


	&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/edbab1dc7ae4a5048fbf5bea83ad1e2d35c6c85994bd010bfef0076722134178/Plastic-Shaman_120123_05.jpg" data-mid="199951870" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/edbab1dc7ae4a5048fbf5bea83ad1e2d35c6c85994bd010bfef0076722134178/Plastic-Shaman_120123_05.jpg" /&#62;






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		<title>Boat_head</title>
				
		<link>https://aymarart.com/Boat_head</link>

		<pubDate>Fri, 17 Nov 2023 14:19:26 +0000</pubDate>

		<dc:creator>Aymar Ccopacatty</dc:creator>

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PLASTI-WAMPUReed Boat

︎

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		<title>Peruvian Boat</title>
				
		<link>https://aymarart.com/Peruvian-Boat</link>

		<pubDate>Fri, 28 Jul 2023 19:25:18 +0000</pubDate>

		<dc:creator>Aymar Ccopacatty</dc:creator>

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	Plasti-Wampu
︎2021︎Phragmites reeds, recycled bottles, chicken wire and Jute rope

Artist Collaboration with Sara Kavage as a part of the Lenapehoking-Watershed art project, Independence Seaport Museum, Philadelphia PA. Traditionally these Aymara reed boats are known as Walsa, but investigations into 15th century Aymara dictionaries written by the Jesuit Monks have it written as “Wampu”.
Colaboración artística con Sara Kavage como parte del proyecto artístico Lenapehoking-Watershed, Independence Seaport Museum, Filadelfia, PA. Tradicionalmente estos barcos de caña aymara se conocen como Walsa, pero investigaciones en diccionarios aymaras del siglo XV escritos por los monjes jesuitas lo han escrito como “Wampu”.


	&#60;img width="3500" height="2500" width_o="3500" height_o="2500" data-src="https://freight.cargo.site/t/original/i/ea698d33b4d94bfafad639d109dab48d151413551f401a13701a27e767b569a1/reed-boat-11.png" data-mid="189434238" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/ea698d33b4d94bfafad639d109dab48d151413551f401a13701a27e767b569a1/reed-boat-11.png" /&#62;



	
	&#60;img width="3500" height="2500" width_o="3500" height_o="2500" data-src="https://freight.cargo.site/t/original/i/2a11089aada1ba531302912ee319a362f429d734a0e3c4f40d726c328b50ed52/ReedBoat_Edit_0003_reed-boat-06.jpg.png" data-mid="189434141" border="0"  src="https://freight.cargo.site/w/1000/i/2a11089aada1ba531302912ee319a362f429d734a0e3c4f40d726c328b50ed52/ReedBoat_Edit_0003_reed-boat-06.jpg.png" /&#62;

	&#60;img width="1875" height="2300" width_o="1875" height_o="2300" data-src="https://freight.cargo.site/t/original/i/cfa4f034741c316ff5340a10b7605784cc48a515a1ef9ef9616a29dd849297d2/Reed-Boat_Drawing.png" data-mid="196708289" border="0" data-scale="89" src="https://freight.cargo.site/w/1000/i/cfa4f034741c316ff5340a10b7605784cc48a515a1ef9ef9616a29dd849297d2/Reed-Boat_Drawing.png" /&#62;


	
	Traditional technique transformed to fit modern materials and circumstances, Phragmites reeds available in Philadelphia do not have the same floatation as Totora reeds from Lake Titicaca. To remedy this lack of floatation, empty plastic laundry detergent bottles were put in two chicken wire hemispheres that were woven together around the “chuima” or heart in the center using traditional techniques.&#38;nbsp; 


	
&#60;img width="3500" height="2500" width_o="3500" height_o="2500" data-src="https://freight.cargo.site/t/original/i/1c107c9453ffada47412bce002c12a81a85ec98e51ee667c47a077a7ef868bdc/ReedBoat_Edit_0017_reed-boat-30.jpg.png" data-mid="189434153" border="0"  src="https://freight.cargo.site/w/1000/i/1c107c9453ffada47412bce002c12a81a85ec98e51ee667c47a077a7ef868bdc/ReedBoat_Edit_0017_reed-boat-30.jpg.png" /&#62;
&#60;img width="3500" height="2500" width_o="3500" height_o="2500" data-src="https://freight.cargo.site/t/original/i/28410c978f0aecbbe692de72f8327abd5e4c6f7c931bc8fd13d0578e312b8049/ReedBoat_Edit_0009_reed-boat-17.jpg.png" data-mid="189434145" border="0"  src="https://freight.cargo.site/w/1000/i/28410c978f0aecbbe692de72f8327abd5e4c6f7c931bc8fd13d0578e312b8049/ReedBoat_Edit_0009_reed-boat-17.jpg.png" /&#62;
&#60;img width="3500" height="2500" width_o="3500" height_o="2500" data-src="https://freight.cargo.site/t/original/i/eb083e5744fee846da55a9a3d8cf37a931b730c020c7def923f37dfe71e22194/ReedBoat_Edit_0008_reed-boat-16.jpg.png" data-mid="189434144" border="0"  src="https://freight.cargo.site/w/1000/i/eb083e5744fee846da55a9a3d8cf37a931b730c020c7def923f37dfe71e22194/ReedBoat_Edit_0008_reed-boat-16.jpg.png" /&#62;
&#60;img width="3500" height="2499" width_o="3500" height_o="2499" data-src="https://freight.cargo.site/t/original/i/1c8b4bc43f4a62ea3113ffe3a8aa8f20cf7eefb1f75f0105ea7cdee5ee4e519d/ReedBoat_Edit_0013_reed-boat-32.png" data-mid="189434148" border="0"  src="https://freight.cargo.site/w/1000/i/1c8b4bc43f4a62ea3113ffe3a8aa8f20cf7eefb1f75f0105ea7cdee5ee4e519d/ReedBoat_Edit_0013_reed-boat-32.png" /&#62;
&#60;img width="3500" height="2500" width_o="3500" height_o="2500" data-src="https://freight.cargo.site/t/original/i/bd2a6d85e669d0958b807ee104a4e394f84a32ca798905f7fde381b4765f883e/ReedBoat_Edit_0004_reed-boat-08.jpg.png" data-mid="189434142" border="0"  src="https://freight.cargo.site/w/1000/i/bd2a6d85e669d0958b807ee104a4e394f84a32ca798905f7fde381b4765f883e/ReedBoat_Edit_0004_reed-boat-08.jpg.png" /&#62;
&#60;img width="3500" height="2500" width_o="3500" height_o="2500" data-src="https://freight.cargo.site/t/original/i/ae0f5c36be00461432922b95b664637350726da16b97016b063cd84962084e9c/IMG_20211012_113226934_HDR.png" data-mid="196707906" border="0"  src="https://freight.cargo.site/w/1000/i/ae0f5c36be00461432922b95b664637350726da16b97016b063cd84962084e9c/IMG_20211012_113226934_HDR.png" /&#62;


	Traditional technique transformed to fit modern materials and circumstances, Phragmites reeds available in Philadelphia do not have the same floatation as Totora reeds from Lake Titicaca. To remedy this lack of floatation, empty plastic laundry detergent bottles were put in two chicken wire hemispheres that were woven together around the “chuima” or heart in the center using traditional techniques.&#38;nbsp; 


	https://drive.google.com/file/d/1CAV0JxLZKs-50LzYu9vZFXigcLjw4RIF/view?usp=drive_link
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	<item>
		<title>Basurama</title>
				
		<link>https://aymarart.com/Basurama-1</link>

		<pubDate>Mon, 13 Nov 2023 15:41:44 +0000</pubDate>

		<dc:creator>Aymar Ccopacatty</dc:creator>

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		<description>

BASURAMACommunity Loom Building 
&#38;amp; Plastic Weaving
︎
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		<title>Basurama_Info</title>
				
		<link>https://aymarart.com/Basurama_Info</link>

		<pubDate>Wed, 23 Aug 2023 01:55:09 +0000</pubDate>

		<dc:creator>Aymar Ccopacatty</dc:creator>

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		<description>Basurama
︎2011︎Recycled wooden pallets, found pulleys, recycled plastic banners, shrink wrapBasurama was an architectural project that looked to create a temporary shaded public space out of an unclaimed urban area in El Alto, La Paz in Bolivia. The group approached me to participate with a large scale community weaving project. With a very small budget we went to local businesses and found recycled wood pallets which became the loom and used scrap advertising banners which became the warp and weft. It was very interesting activating a trash loom amongst the people who still live and breathe thousand year weaving traditions deeply ingrained in the cultural identity of the urban Indigenous Aymara people. 
Architecture in Development Article&#38;nbsp;︎︎︎
Basurama fue un proyecto arquitectónico que buscaba crear un espacio público temporal con sombra en un área urbana no reclamada en El Alto, La Paz en Bolivia. El grupo se acercó a mí para participar en un proyecto de tejido comunitario a gran escala. Con un presupuesto muy pequeño fuimos a negocios locales y encontramos pallets de madera reciclada que se convirtieron en el telar y utilizamos pancartas publicitarias de desecho que se convirtieron en la urdimbre y la trama. Fue muy interesante activar un telar de basura entre las personas que aún viven y respiran tradiciones milenarias profundamente arraigadas en la identidad cultural del pueblo indígena urbano Aymara.
	
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		<title>Reeds</title>
				
		<link>https://aymarart.com/Reeds</link>

		<pubDate>Fri, 28 Jul 2023 15:53:15 +0000</pubDate>

		<dc:creator>Aymar Ccopacatty</dc:creator>

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Plasti-Wampu
 Sculpture Series 
︎2022︎Providence, Rhode Island︎Phragmites reeds, recycled bottles, chicken wire and Jute rope.

This series of public sculptures looks to de-construct the traditional boat form while maintaining the techniques. The vessel form references safety and migration while the inclusion of plastic	calls into account the environmental and physical degradation of human beings. 
Esta serie de esculturas públicas busca deconstruir la forma tradicional del barco manteniendo las técnicas. La forma del barco hace referencia a la seguridad y la migración, mientras que la inclusión del plástico tiene en cuenta la degradación ambiental y física de los seres humanos.


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		<title>Plastic Free Philly</title>
				
		<link>https://aymarart.com/Plastic-Free-Philly</link>

		<pubDate>Tue, 02 Jan 2024 02:30:09 +0000</pubDate>

		<dc:creator>Aymar Ccopacatty</dc:creator>

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“That Sinking Feeling”
Plasti-Wampu Sculpture Series, Plastic Free Philly 
︎2022︎Providence, Rhode Island︎Phragmites reeds, recycled bottles, chicken wire and Jute rope.

This sculpture installation was selected for participation in the Plastic Free Philly This series of public sculptures looks to de-construct the traditional boat form while maintaining the techniques. The vessel form references safety and migration while the inclusion of plastic	calls into account the environmental and physical degradation of human beings.  
Esta instalación escultórica fue seleccionada para participar en Plastic Free Philly. Esta serie de esculturas públicas busca deconstruir la forma tradicional del barco manteniendo las técnicas. La forma del barco hace referencia a la seguridad y la migración, mientras que la inclusión del plástico tiene en cuenta la degradación ambiental y física de los seres humanos.


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